I haven’t reviewed any plays on my blog here before, but with all the hype around the release of and my own nostalgic affection for the novels, it seemed like the perfect place to break with tradition. The most difficult thing about reading a play is that much of what transpires is meant to be literally seen; thinking of it or treating it as a novel isn’t quite fair. But I should hope that in reading it I would at least be inspired to want to see it on stage. Unfortunately, that wasn’t the case with Harry Potter and the Cursed Child.
The play begins where the book and movies ended—on Platform 9 ¾ as Harry and Ginny’s son Albus prepares to board the train to Hogwarts for his first year. There are several time jumps that then take place in rapid succession advancing the present to Albus’ third year—making him thirteen—and it’s clear that Albus’ relationship with Harry is strained at best. Harry isn’t thrilled with Albus’ friendship with Scorpius Malfoy and Albus resents the expectations and attention he receives as the son of Harry Potter—it isn’t fair. As rumors circulate that the Ministry of Magic has confiscated a Time-Turner (which were supposed to have all been destroyed), Amos Diggory shows up with an appeal for Harry to travel back in time and intervene to prevent Cedric from ever having been killed during the Tri-Wizard Tournament. Harry refuses but Albus overhears and decides he wants to help right an injustice he sees as being Harry’s fault. But of course, terrible things can happen to those who meddle with time.