Always game for a novel set during and around the events of the American Civil War, I didn’t have to read too far into the description of Susan Rivers’ soon-to-be-released The Second Mrs. Hockaday before I knew I wanted to read it. I didn’t think much of the fact that the novel promised to tell the story in question through letters, journal entries, and inquest papers—it actually would have made it more appealing because telling a story through such limited means can lead to particularly creative story-telling. In the case of The Second Mrs. Hockaday however, I think these narrative conventions fail to live up to that potential and ultimately rob the story of some of its natural tension.
Placidia Fincher Hockaday met her husband the day of her step-sister’s wedding and married him the next day when she was but seventeen years old. A widower with an infant son, Major Gryffth Hockaday and his new bride didn’t have much time to themselves before he was called back to the Confederate front lines by his commanders. For the remaining two years the war lasted, they were separated with Placidia running his farm, raising his son, and commanding his slaves. When he returned at the end of the war, he discovered that there were scandalous rumors about just what his wife had been up to in his absence—and with whom. Decades later, the Hockaday children—having buried their parents—begin to uncover their mother’s secrets from those two years, what drove a wedge between their parents, and what brought the couple back together again in the end. Continue reading