I’ve been working my way through some of the “classic” science fiction books to see and understand more of the genre’s origins and how it’s evolved. The science fiction titles on the 1001 Books to Read Before You Die list feel like a good way to kill two birds with one stone. What I knew about Arthur C. Clarke’s 2001: A Space Odyssey before reading it was mostly just two things strongly connected to the film—the music from Strauss’ Thus Spake Zarathustra and the bit of dialogue referencing the pod bay doors—and neither of which turns out to have given much of anything away from the story at hand.
Beginning with the early education of mankind as he evolved from man-apes, 2001: A Space Odyssey follows a rather disjointed structure that makes pinning down the main plot a bit difficult. Some sort of extra-terrestrial force arrive in the African plains and study and educate those early ancestors of mankind in part one. By part two, man had already established working colonies on the Moon and made an unexpected discovery while exploring and excavating the Moon’s surface—a monolith that dates back to the days before mankind had fully evolved. A clear indication that intelligent life has or continues to exist in the greater universe, the rest of the book is much more focused on the mission to make contact—though who knows about the discovery and the true nature of the mission is kept pretty quiet. Dr. David Bowman and Dr. Frank Poole are the two active crew-members as the ship Discovery—with the assistance of a supercomputer, HAL—embark for Jupiter while their three companions wait in suspension to be reawakened upon arrival when they will conduct their experiments. Before they can reach Jupiter, however, the secrets of the “true mission” begin to cause problems with the HAL computer system. Continue reading