Unlike the wait I went through between reading Red Queen and Glass Sword, there was less than a week between when I finished Glass Sword and when I started King’s Cage. One of the aspects of the series I’ve been enjoying most so far has been the way each novel ends with a complete change in circumstances from the previous story. The characters are the same in many ways but their relationships with one another and their senses of self shift dramatically. Even when the plot misses, falls into predictability, or struggles against the limitations of first-person narrative perspective, the character studies at the heart of the series carry it forward with tremendous purpose.
Glass Sword ended with Mare agreeing to go with Maven in exchange for him letting Cal and the rest of their team go free. Picking up where the previous novel left off, King’s Cage sees Mare as a veritable slave in Maven’s palace. With constant guards and silent stone suppressing her powers, she struggles to make it through each day. But Maven’s mind and emotions have lingering scars from his mother’s manipulations and he can’t keep away from Mare as he wrestles with his feelings for her. She does what she can to manipulate him right back, hoping for the day he lets something slip and praying for the day the Red Guard and her friends will break her free if she can’t contrive to escape sooner. Continue reading →
It’s difficult to find a balance between reading only what pleases you and stretching your horizons from time to time. I like to try to be open minded and read a bit of everything but there are definitely certain genres that I avoid because I just don’t find them to my tastes personally. Not one to turn away free books, I accepted an offer to read Amanda Prowse’s recent release, The Art of Hiding, even though it falls into a subgenre of “women’s lit” that I usually avoid. While it is an incredible example of that genre and certainly addresses valuable themes related to personal identity and self-worth, it speaks to those themes with a heavy handedness I personally find annoying and distracting.
Nina and her husband, Finn, are well off and their sons go to a prestigious school, but she has never forgotten what it was like growing up in a very different environment. When her husband dies suddenly in a car accident, Nina’s world is turned upside down, but for more reasons than just losing the man she loved and her children their father. She learns that they were in fact, greatly in debt—bankrupt, actually—and it feels like the blows fall relentlessly in the immediate aftermath of that emotional toll. Nina must confront her relationship with her past while negotiating single-parenthood and the reevaluation of everything she thought she knew about her husband and their marriage.Continue reading →
Given how Red Queen ended, I was eager to start the second book in the series, Glass Sword. While there were more rough spots in Book Two, it expanded the fictional universe in interesting ways that continued to feed my enthusiasm for the series (Book Three is ready and waiting for me right now). The character studies that develop in this second book also add to the depth of Aveyard’s world and make up for most of the weaknesses in plot or execution that arise.
Mare Barrow and the fallen Prince Cal survived and escaped what were supposed to be their executions. The Red Guard help them to get further away from the newly crowned king’s clutches but both must deal with the betrayals they have suffered at Maven’s hands—and at each other’s. The plan Mare devises for challenging Maven—and distracting herself from all that she’s done to the people around her—is to find, recruit, and train the other “Newbloods” that were on Julian’s list before Maven can find and kill them—or worse. Continue reading →
As is often the case—especially with fantasy—it was the premise that caught my attention and made me want to read Kendare Blake’s Three Dark Crowns (okay, the cover too; young adult fiction really has some of the most alluring cover design). Actually reading the novel was an unexpected rollercoaster that definitely requires additional explanation, but I ultimately enjoyed the story and characters enough to be looking forward to the novel’s upcoming sequel… however nervous I am about the way that narrative will be presented.
It is the will of the Goddess that Fennbirn’s queen always gives birth to triplets and that those three girls are then raised by prominent families of the separate magical factions on the island, each according to the talent gifted her by the Goddess at birth. When the young queens reach the age of sixteen they begin a fight to the death with the last one alive claiming Fennbirn’s throne with her queen consort from the mainland at her side until the next trio of queens is born. The beginning of the Ascension year is approaching and the three queens—Katharine, a poisoner, Mirabella, an elemental, and Arsinoe, a naturalist—are preparing to fight for the throne and their lives. Despite the dominance of the poisoner queens over the last century, Katharine’s gift hasn’t strengthened as much as the Arrons would like. Rumor has it Mirabella is more powerful than any queen in recent decades and the Temple’s priestesses are already backing her. Only Arsinoe’s friends hold out any hope that her gift will show itself in time for her to put up any kind of fight against her sisters. Continue reading →
It’s an established fact that I’m a sucker for retellings and re-imaginings of fairy tales and other children’s stories. Peter Pan is among my favorites to see in new ways (which means I really need to get through Barrie’s Peter Pan at some point). There have been quite a few dark interpretations of the Peter character—among my favorite is Brom’s The Child Thief—but many of the re-imaginings I’ve read don’t pay a lot of attention to the character of Captain Hook and how and why the antagonism between he and Peter exists. Christina Henry’s new release Lost Boy is all about the lost boy who became Captain Hook.
There had to be a first and in Henry’s novel, the first boy Peter brought to the island as a playmate was Jamie. It’s been several hundred years since that day and Jamie’s memories of it are fuzzy but he’s one of the few boys on the island that’s lasted. But two of the latest boys Peter brought trigger major changes among the group of lost boys. Charlie is much younger than the others and Jamie feels a desperate need to protect him from the harsh realities of Peter’s sometimes-deadly games. Nip, meanwhile, means to supplant Jamie as Peter’s right hand and favorite. As jealousies grow and become increasingly violent, the bonds between Jamie and Peter slip. Jamie sees more of the truth about Peter and he begins to grow up, the magic of the island keeping the boys’ bodies as young as their hearts and spirits. Continue reading →
I moved immediately into A Court of Wings and Ruin on the heels of finishing A Court of Mist and Fury; the ending of the second book in Maas’ A Court of Thorns and Roses series demanded it. And while the characters, their relationships, the themes, and the content are all as compelling as the first two novels in the series, A Court of Wings and Ruin suffers tremendously in pacing and organization, leaving this initial trilogy arc with a satisfying if roughly executed conclusion.
Feyre begins the novel back at Tamlin’s Spring Court pretending that her relationship with Rhys was all a delusion he’d forced on her and that she had really been in love with Tamlin all along. Not everyone buys Feyre’s cover though. When Feyre’s sisters were forced into the Cauldron and turned fae, Lucien felt the deep pull of a mating bond with Elain. Unable to escape his concern and curiosity for her, he keeps a close eye of Feyre, which feeds into her own plans for undermining Tamlin’s hold over his Court and accumulating knowledge about the Hybern forces. From the crumbling Spring Court, Feyre eventually rejoins her mate and family at the Night Court where their preparations for the coming war with Hybern are well under way. Her sisters are adjusting to fae life with varying degrees of success; allies are few and far between; and any possible alliance between the Courts of Prythian will be fragile and tenuous at best. But war is coming and they must do what they can in the face of annihilation. Continue reading →
In the current political climate, I’ve been drawn to novels tied to relevant subjects, no matter how loosely tied. Because of this, the description for Lisa Ko’s The Leaversdrew my attention and interest. Though the core of the novel revolves around the personal natures and relationships of the main characters, the circumstances that serve as a backdrop for these characters do a fantastic job of subtly highlighting the intricacies of the United States’ immigration system and many injustices that stem from it.
For more than a decade Daniel Wilkinson knew nothing about his birth mother’s disappearance. One day she had been with him, talking about possibly moving to Florida, and another she never came home from work. But then an old friend from his childhood contacts him out of the blue with a clue to start him on the path towards finding her again and learning the truth about why she’d left him. Continue reading →
After finishing A Court of Thorns and Roses, I immediately put myself on the waitlist for the second novel in the series, A Court of Mist and Fury. But waiting for a copy through the library became too tedious so I caved and bought a copy instead and have rarely been happier with the decision (I went ahead and bought the third novel, A Court of Wings and Ruin before finishing the second so the review for that book won’t be too far behind this one). Though A Court of Thorns and Roses is a wonderful well-contained novel in its own right, A Court of Mist and Fury expands on Sarah J. Maas’ universe beautifully, taking the foundational elements of the first novel and building the characters, their back stories, and their relationships with incredible skill and detail. The trauma of the first novel’s final act is central to where the characters find themselves at the start of this second book and its harsh realities force a new perspective onto everything and everyone.
Though months have passed since Feyre’s trials Under the Mountain and having been remade as High Fae, Feyre still has stomach churning nightmares and her life at the Spring Court hasn’t been as restorative as she might have hoped. So far the High Lord of the Night Court, Rhysand, hasn’t bothered her or Tamlin regarding the bargain she made with him during her trials, but with her wedding to Tamlin approaching and Tamlin clearly worried with diplomatic matters he’s not telling her about, Feyre continues to stall in moving past her trauma. When Rhysand finally calls in his half of the bargain she struck, Feyre’s time away from Tamlin and the Spring Court help to open her eyes to how much she has changed since her human days Under the Mountain. Perhaps the love she gave her human life for isn’t enough for her fae life. Continue reading →
Usually when I find new books to read it’s through recommendations or hearing something about them first. In this case, I moved by complete and total impulse. I saw the cover while I was shopping and it reminded me of one of my favorite books, The Night Circus, so I copied down the title and looked it up when I got home. The premise sounded intriguing enough and I’ve been on a streak of young adult aimed novels that I’ve thoroughly enjoyed so I went ahead and read it. While it has its moments, Caraval doesn’t quite fulfill the promise of its premise and leans too heavily into melodrama for my personal tastes.
For years, Scarlett had hoped that she and her sister might be invited to the magical Caraval game her grandmother had told them stories about that is held every year. But as she got older, Scarlett realized it was far more important to get married so she could leave her abusive father behind and take her sister, Donatella, to safety with her. Shortly before her nuptials (to a man of her father’s choosing and whom she has never met) she receives the long desired invitation to Caraval. It’s dangerous to go but Donatella won’t let Scarlett say ‘no’ and once they arrive on the island where Caraval takes place (with a little help) it turns out that the game the Caraval Master, Legend, has in mind is a more personal one for Scarlett. Donatella is kidnapped before they’ve even been there a full day and clues have been left behind for Scarlett and the other Caraval players to puzzle out in order to find Donatella and win Legend’s prize of a wish. But not everyone involved in Caraval is who they seem; magic and lies bend expectations and mislead and it’s up to the players not to get carried away by the game they’re playing. Continue reading →
Victoria Aveyard’s Red Queen series is one I’ve had recommended to me several times but having read some young adult targeted series that were only okay or completely disappointing, I had put it off. Having crawled out of that disappointing streak, I finally put the first book on my library request list and then had to wait forever for it to become available but I’m happy to find that my search for compelling young adult fantasy-ish series is over for a while as I have a few books to catch up on in this series (and from everything I’ve heard, the second and third novels are just as engaging as the first but I’m looking forward to finding out first hand). Aveyard’s fantasy world wherein social and political strata have long been established and maintained based on blood and ability as well as the best means for bringing about change to such a system all speak to the political and social turmoil in the world today—in some chilling ways.
Mare Barrow is a Red pickpocket doing everything she can to help her family get by while her conscripted brothers are away fighting their Silver king’s war but her days are numbered as she reaches the age of conscription herself and her prospects for exemption remain nonexistent. When an unusual encounter lands Mare with a job at the palace and exemption from conscription, she thinks she might finally have found a way to protect at least some of her family. But an accident on her first day reveals Mare to be something neither Reds nor Silvers knew existed—a Red with the abilities of a Silver. Eager to protect the established hierarchy and perhaps appease disgruntled Reds and the growing threat posed by the radical Scarlet Guard, the royal family covers up the truth and presents Mare as a lost Silver restored to her kind and keeps her close. But Mare still bleeds Red and she doesn’t plan to let the royal family rewrite her truth so easily. Continue reading →
For all the atrocities of foreign wars that take place on the front lines and in the nations where the battles are being fought, there are often atrocities that happen back home; atrocities that get swept under the rug of history or dismissed as unimportant in the larger scheme of things. One such atrocity that is coming to light more in recent years—thanks in part to recent political moves that echo the problematic themes of this atrocity—is the internment of people of Japanese descent during World War II. Until reading Leslie Shimotakahara’s recent novel, After the Bloom which is in part inspired by her own family’s history in the American internment camps, I had no idea that camps like that were established in parts of Canada too. What her novel brings to life so importantly is that these camps had lasting effects at all levels—the individual, the family, and the community.
Rita knew her mother, Lily, had spent time during the war in an internment camp in California but since her mother never really spoke about it, Rita knows very little about that period of her mother’s life. It’s clear that it might be linked to the ways her mother can become ‘confused’ but Rita has more pressing things to worry about in the wake of her recent divorce and subsequent move. That is, until her mother goes missing. The police investigate but with no evidence of foul play, there isn’t much they can do. Rita takes it upon herself to look into why her mother might have left and where she might have gone. The more questions she asks, the more the answers seem to center around an incident that happened at the internment camp. Continue reading →
Another of the fantastic novels recommended to me by friends, Lauren Groff’s Fates and Furies is an examination of a marriage that breaks from the traditions of so many marriage-centered novels. While Lotto and Mathilde face many challenges along the way, they tend to have more faith in their marriage than they do in themselves individually. Exploring the ways they view themselves as well as their spouse, Groff’s writing style is unique and not just in creating two characters with such distinct voices and perspectives.
Lancelot “Lotto” Satterwhite was born to privilege. With family money spouting from a bottled water business and parents who thought he could do no wrong, Lotto seemed poised for greatness from an early age and his mother especially encouraged that attitude to flourish within himself. But everything changed with the sudden death of his father and his mother’s grief-stricken turn inward. Eventually shipped off to a private school in the north, Lotto drifted easily through school and girls until the day he met Mathilde just a few weeks before graduating college. Within two weeks the pair had eloped to the shock of their family and friends. While they struggle to make ends meet in the wake of being financially cut off by his disapproving mother, Lotto is certain of one thing—his and Mathilde’s love for each other—but how much of the Mathilde he loves is really her and how much is who he thinks she is? Does it even matter? Continue reading →
For me, the best way to find new books and series that I love is through recommendations from friends; they know enough of what I like, and I know enough of what they like, plus there’s the added fun of having someone already there to talk about it. A Court of Thorns and Roses by Sarah J. Maas was a friend recommendation and I can’t wait to dive into the next book of the series in anticipation of the third novel’s release in early May. Incredible fantasy world building with plot elements that echo (and occasionally invert) classic fairy tales, myths, and legends and engaging characters and pacing are some of the fastest ways to capture my attention.
Feyre may be the youngest of three sisters but when it comes to providing for her family in their relatively recently acquired destitute state, she is the one who can be counted on to keep them all alive. Having taught herself hunting, she has a deer in her sights when a monstrously large wolf enters the scene—a wolf so large, Feyre believes it might be fairy in nature. Given everything that the fairies have done and continue to do to humans, even with the treaty in place, she decides to use her precious ash arrow to be sure she kills it dead. But a few days later an even larger beast appears at her family’s door demanding repayment for the slain fairy—a life for a life—and Feyre must either go to live in the fairy realm of Prythian for the rest of her days or die before her family’s eyes.
A few years ago I had a book-a-day calendar on my desk that provided summaries and praise for each day’s title. There were many books from that calendar that made it onto that list and The Elegance of the Hedgehog by Muriel Barbery was one of them. An interesting exploration of human interaction, class, and philosophy, The Elegance of the Hedgehog is surprisingly poignant for the simplicity of its setting and premise.
Renée Michel grew up in a poor home far from the city but has spent the last twenty years working as the concierge of a high-end apartment building in Paris, a position she took over from her husband when he died. At the service of the building’s wealthy tenants, Renée spends most of her days hiding her intelligence and observing the interactions of the people in the building with each other, with her, and with the world around them. Paloma is the younger daughter of a diplomat and his wife who live on the top floor. An intelligent and aware child, Paloma is also jaded and sees little about adulthood worth living so she decides she will kill herself at the end of her school term, giving herself some time to make additional observations and attempt to find if there’s something worth staying alive. The death of one tenant and arrival of a new one serves as a catalyst for both Renée and Paloma. Continue reading →
I have had Saima Wahab’s memoir In My Father’s Country: An Afghan Woman Defies Her Fate on my To Read list since I saw her interview on the Daily Show several years ago. Documenting her childhood in Afghanistan and then Pakistan as a refugee before moving to the United States to further her education, become a US citizen, and eventually travel back to Afghanistan to assist US troops during the war–and given the current political climate in the US—it seemed like the perfect time to finally make myself read this book.
First published in 2012, Wahab’s memoir begins with her earliest memories of life in Afghanistan as the Soviets invaded the country and her outspoken and rather liberal father was among the first taken into custody. She never saw him again and her family fled first to her father’s people in their small village and then across the border to Pakistan where they were safer. Wahab notes that even from a small age, she rejected elements of her native culture, especially with regards to how the women were controlled and restricted by the men of their families. Sent to her uncles in the US as a teenager along with her siblings and cousins, she embraced many of the freedoms of American culture even as it caused her to struggle with holding onto and preserving her sense of her culture as a Pashtun woman. Once she begins her exploration of her time working as a civilian alongside US forces in Afghanistan–first as an interpreter and then as a research manager on an HTT (Human Terrain Team) where she helped research and map the cultural differences between the villages in Afghanistan—her narrative focuses on her struggle to reconcile the two sides of her identity, Pashtun woman and American woman. Speaking the language and understanding the culture of the locals, she worked to educate and guide both the US soldiers and the local Afghan peoples as the nations aimed to work together to rebuild her father’s country. Continue reading →
Having so thoroughly enjoyed Marissa Meyer’s Lunar Chronicles, her latest novel, Heartless was one of the first I purchased with the gift cards I received back at Christmas. A stand-alone novel rather than the start of a new series, Heartless delves into the life of the young woman who becomes the Queen of Hearts and terrifies Alice on her journey through Wonderland. Once again, Meyer demonstrates her skill at paying homage to the source material while expanding and incorporating additional elements, including characters from nursery rhymes and poems.
Cath is the daughter of the Marquess and Marchioness of Rock Turtle Cove in the kingdom of Hearts but what she wants above everything else is to open a bakery with her best friend, lady’s maid Mary Ann. Though Cath has already caught the king’s attention with her tasty treats, someone else has caught her eye—the new court joker, Jest. As a Jabberwock begins terrorizing the kingdom, Cath learns that there is more to Jest and his presence in Hearts than she’d originally thought and her dreams will clash with both reality and fate. Continue reading →
Usually I read a book before watching a film or television adaptation but every once in a while there’s a great book written about a movie or television series. As a fan of Orphan Black, I’m still in mild denial that the show is going to be starting its fifth and final season in a few short months. A provocative series about the lives of a series of clones, Orphan Black gives its fans plenty to talk about. Gregory E. Pence, a professor at UAB and an expert in cloning and bioethics, has compiled quite a few talking points in his book What We Talk About When We Talk About Clone Club: Bioethics and Philosophy in Orphan Black. Delving into the science and history of cloning, he uses Orphan Black, its plots, and characters to help illustrate concepts and bring debates to life in ways that make it easier for readers (and viewers) to relate to and understand.
Pence begins the book by looking at the ways clones have been depicted in science fiction and literature, searching for the root of many of society’s assumptions about human cloning and the dangers it poses. He examines the origins of a variety of medical advancements that preceded the successful cloning of Dolly the sheep and the reactions from various sectors to those advancements. Using the science behind cloning and similar technologies, Pence critiques the plot and execution of Orphan Black in its depiction of clones. Some of the debates examined, such as nature versus nurture, will be more familiar to readers than others. Finally, Pence ends the book by throwing out a few areas of interest that the show and its writers could explore in the future.
Emma Cline’s The Girls was one of those books that appeared on so many “Best of” lists that it was inevitable I would eventually have a go at it. While it was pretty good, I don’t know that I agree it was one of the best books of 2016––though, it certainly wound up capturing some of the themes that seemed to plague 2016.
Evie Boyd was born into wealth and privilege as the granddaughter of an icon of Hollywood’s golden age but by the time she’s an adult, she’s more famous for her long-ago association with a small and notorious cult. Though she didn’t participate the night of their most heinous crimes, she’s spent a lot of time reflecting on how she got as far in as she did and exactly why she wasn’t there on the infamous night. Ultimately so much of it boils down to the girls and more specifically, Suzanne. Continue reading →
Since finishing The Lunar Chronicles last year, I’ve been searching for a replacement YA series to become invested in and I think I may have found it in Maggie Stiefvater’s The Raven Cycle series—or at least, the first book, The Raven Boys has left me still intrigued enough to check out the next book sometime soon. Bringing together mystical and mythological elements I’ve read about in both other novels and studied the histories of over the years, The Raven Boys definitely sets up a larger story than just the one that gets told in its pages.
Blue Sargent has grown up in a house full of psychics—her mother and her mother’s friends—but she shows no ability herself; she only serves as an amplifier or battery of sorts, helping to strengthen those around her. But one thing all the psychics in her life seem to agree on is that she will somehow spell death for her true love—whoever he might be—and must avoid kissing him to protect him… even though she’s just a teenager and has no idea who he might be. But on St. Mark’s Day when she accompanies one of those friends of her mother’s to the Corpse Road and actually sees and hears one of the spirits—a teenage boy named Gansey who attends the local private boys’ school, Aglionby—she might have learned the first bit about him. Blue has her doubts, however, when she actually meets Gansey and his friends, Adam, Ronan, and Noah, and begins assisting them in their search for the historically mythical Glendower and things in their small town of Henrietta begin getting even weirder than any of them could have dreamt.
I was exteremely intrigued when I first read the description for S. Alexander O’Keef’s The Return of Sir Percival: Guinevere’s Prayer and it promised to be the first novel in a new series. I go through phases of fascination with all things Arthurian so I’ll try just about any take on Camelot at least once. O’Keefe’s premise is an interesting one but while I can get behind the plot, the characters and style of story telling have me less likely to pursue this series beyond this first book.
It has been ten years since Arthur and Camelot fell in battle. Morgana and her mercenaries have the people of Britain under her thumb while she continues to hunt for her archenemy, Merlin the wise. Guinevere and a few of her ladies are protected in hiding by the church and via a promise Morgana made to one of her most capable knights. The Knights of the Round Table have been wiped out, or so everyone thought until Sir Percival returns from the holy lands with a friend. Having been sent to seek the Holy Grail alone, Sir Percival has failed in that quest but might have returned just in time to bring Morgana down and restore Guinevere to her rightful place as queen of the late Arthur’s broken kingdom. Continue reading →
Since reading Atonement, I’ve read and enjoyed a number of Ian McEwan’s novels. But with the exception of Atonement, they all seem to have one aspect that pushes things that last step too far and Amsterdam, while one of his more lauded works (and a book that gets me back to working on my 1001 Books to Read Before You Die list, which I’ve fallen behind on this year) is no exception. Its explorations of morality, mortality, and friendship are incredible but the way those thematic lines culminate as far as the plot is concerned don’t quite work for me.
One funeral brings together a woman’s three former lovers and her husband. Two of the former lovers happen to be good friends, Clive and Vernon, and Molly’s drawn out deterioration due to dementia and eventual death has the two men wondering what they would want if they found themselves in her shoes; ultimately they agree they would want someone to end it for them. But Molly’s death also brings some compromising photos of a politician (the third of her former lovers whom neither of the two friends like) to light. Vernon, a newspaper editor, seeks to publish; Clive, a composer, sees things differently and the men’s friendship is tested as news of the photos’ content begins to catch the public attention.
I had seen the movie Practical Magic a number of times before I ever realized it was a book. Since one of my favorite things to do is compare book adaptations like that, it was only a matter of time before I got around to reading Alice Hoffman’s Practical Magic after learning that fact. There are some obvious changes from one medium to the other, mostly to flesh out thematic elements that take more of a back seat in the novel, but the story remains both recognizable and compelling between the two forms—not an easy feat.
Sally and Gillian Owens grow up with two distantly related aunts after their parents’ tragic deaths. They know that their aunts aren’t like other people in the town and everyone else knows it too so that the two girls also fall under the general umbrella of being Other. Gillian leaves as soon as she can, running away in the night with a young man and not looking back. Sally stays and finds a bit of normalcy when she marries and starts a family of her own. But tragedy strikes again and it’s Sally’s turn to leave the aunts, taking her own daughters to start again on her own. Years later Gillian turns up in Sally’s driveway needing her sister’s help and long ignored issues—especially personal and familial—must be addressed and remedied.
I haven’t reviewed any plays on my blog here before, but with all the hype around the release of and my own nostalgic affection for the novels, it seemed like the perfect place to break with tradition. The most difficult thing about reading a play is that much of what transpires is meant to be literally seen; thinking of it or treating it as a novel isn’t quite fair. But I should hope that in reading it I would at least be inspired to want to see it on stage. Unfortunately, that wasn’t the case with Harry Potter and the Cursed Child.
The play begins where the book and movies ended—on Platform 9 ¾ as Harry and Ginny’s son Albus prepares to board the train to Hogwarts for his first year. There are several time jumps that then take place in rapid succession advancing the present to Albus’ third year—making him thirteen—and it’s clear that Albus’ relationship with Harry is strained at best. Harry isn’t thrilled with Albus’ friendship with Scorpius Malfoy and Albus resents the expectations and attention he receives as the son of Harry Potter—it isn’t fair. As rumors circulate that the Ministry of Magic has confiscated a Time-Turner (which were supposed to have all been destroyed), Amos Diggory shows up with an appeal for Harry to travel back in time and intervene to prevent Cedric from ever having been killed during the Tri-Wizard Tournament. Harry refuses but Albus overhears and decides he wants to help right an injustice he sees as being Harry’s fault. But of course, terrible things can happen to those who meddle with time.
Where many young adult series are told in one character’s first person perspective, Marissa Meyer’s The Lunar Chronicles wasn’t. With each novel additional characters were added to the mix and the perspective shifted regularly between them. This meant that where many young adult authors release complementary/supplementary short stories that offer a different character’s take on scenes the audience is already familiar with, her collection of stories, Stars Above, provided a different kind of depth—backstory. Most of the stories in Stars Above are greater explorations of the circumstances surrounding key moments in the series’ central characters’ lives that took place before the readers met them but that were hinted at or referenced briefly within the main books.
Most of the stories function as prequels to the books of the main series: how Scarlet’s grandmother became involved in hiding and healing Cinder as well as how Scarlet came to live with her grandmother in the first place; Cinder’s first days with her adoptive family in New Beijing; how Cress came to find herself in the satellite orbiting Earth; some of Thorne’s earliest schemes; Wolf’s early days as a soldier in Levana’s army; Winter’s perspective of growing up in her step-mother’s palace; Kai’s first impressions of Cinder. There are two stories that break from that pattern, however. The Little Android, while featuring an appearance by Cinder prior to the events of the first novel of the series, stands on its own as a reimagining of The Little Mermaid (the Hans Christian Anderson original more than the Disney version). Finally, the last story in the collection is a happy epilogue/sequel which finds the series’ four couples gathering on Earth for a long-awaited reunion and wedding. Continue reading →
Somewhere between Speak and The Impossible Knife of Memory, I missed that Laurie Halse Anderson had published another book—Wintergirls. Luckily I have friends who alerted me to my oversight and now I have corrected it. Always willing to dive into the darker realms of growing up, Anderson addresses the psychology of eating disorders—a subject everyone knows exists but few are willing to discuss or explore in the face of a society that doesn’t wish to change the ways it portrays and commodifies young women’s bodies.
Lia has been through treatment twice before to deal with her anorexia (a term that is not used within the narrative itself) but both times she has managed to escape intact, telling the doctors, nurses, her parents, and psychologists what they want to hear in order to hurry the process along. Though she and her best friend since childhood Cassie had suffered a falling out before their final year of high school, when Cassie turns up dead in a local motel and the other girl’s eating disorder is determined to be the root cause of her death, Lia finds herself haunted by Cassie’s ghost—Cassie had tried calling Lia thirty-three times the night she died. Is it in some way Lia’s fault? Will Cassie’s death turn out to be the wake-up call Lia needs or the final nudge over the edge? Continue reading →